Rabu, 30 November 2011

[E699.Ebook] Ebook Download Scanning Electron Microscopy, by Michael T. Et Alii. Postek

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Scanning Electron Microscopy, by Michael T. Et Alii. Postek

  • Sales Rank: #1927843 in Books
  • Published on: 1980
  • Number of items: 1
  • Binding: Paperback
  • 305 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Classic Must Have
By dr.baumba
This book is a primer in SEM. It is a great shame it is out of print. Snatch up a used copy while you still can. If you have a used one of these that you don't have use for any longer. Sell it on marketplace. There are students every semester looking for this book.

0 of 0 people found the following review helpful.
Early work on the SEM but a great assist in learning before you know anything
By R Bizzoco
Early work on the SEM but a great assist in learning before you know anything. It is keyed into easy learning.

0 of 0 people found the following review helpful.
Four Stars
By Dr Maviael Joseh
Didactic book about SEM.

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Selasa, 29 November 2011

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Creativity 101, Second Edition (Psych 101 Series), by James C. Kaufman PhD

What is creativity? How does it work? How does it flourish in individuals and organizations? Now in its second edition, this bestselling introductory text--written by one of the world's leading experts on the psychology of creativity--is completely updated and expanded to reflect the tremendous growth in this field. In a redesigned, reader-friendly format, the text surveys the latest theories and research to provide key information about what we know (and don't know) about creativity including its many definitions and measures. It addresses how creativity operates on individual and social/environmental levels, and the effects and outcomes of the creative mind.

This much-praised book is an ideal brief text for courses on creativity in psychology, education, business, and other fields, as well as cross-disciplinary seminars and programs in creativity studies.

New to the Second Edition:

  • Completely updated and expanded with new theories and research

  • Restructured to enhance flow of information and ease of use

  • New chapters on measuring creativity, creativity and mental health, creative environments, how creativity is perceived by self and society, and its positive and negative aspects

  • Coverage of new models and frameworks

  • Expanded coverage of creativity and motivation, mental illness, and mood; history of creativity research; the creative process; and neuroscientific theories and approaches

  • Thorough reconceptualization of creativity and personality

  • New content on differences between creativity, imagination, and innovation

  • Expanded coverage of creativity assessment

Key Features:

  • Surveys theory, research, and applications of creativity concisely and accessibly

  • Written in an engaging style by a world-renowned creativity expert

  • Ideal for courses on creativity in psychology, education, business, and other fields, as well as cross-disciplinary seminars

  • Sales Rank: #445842 in eBooks
  • Published on: 2016-03-18
  • Released on: 2016-03-18
  • Format: Kindle eBook

Review
Praise for the first edition:
"Full of keen and illuminating insight...written with creative flair and great elegance."�
Robert Olen Butler�
Author, "A Good Scent from a Strange Mountain "�
Winner of the 1993 Pulitzer Prize in Fiction�

"[An] excellent primer or review of what is out there in terms of research, definitions, theoretical considerations, and leading thinkers in the world of creativity."
--Gifted and Talented International

About the Author
James C. Kaufman, PhD, is a Professor of Educational Psychology at the Neag School of Education at the University of Connecticut. An internationally recognized leader in the field of creativity, he is the author/ editor of more than 35 books, including the�Cambridge Handbook of Creativity�(2010) and�Teaching for Creativity in the Common Core Classroom�(2014), and more than 250 papers. Dr. Kaufman was a cofounding editor of both�Psychology of Aesthetics, Creativity, and the Arts�and�Psychology of Popular Media Culture; he currently edits the
International Journal of Creativity and Problem Solving. He has won the Torrance Award from the National Association for Gifted Children, the Berlyne and Farnsworth Awards from the American Psychological Association (APA), and Mensa's research award. A former president of APA's Division 10, Dr. Kaufman is a popular media expert on creativity. He has appeared on CNN (testing Dr. Sanjay Gupta's creativity), on NPR, at the 92nd Street Y (debating creativity and madness), on the hit Australian documentary series�Redesign My Brain, and narrated the comic book documentary�Independents. He is also a playwright/lyricist whose musical�Discovering Magenta made its New York City debut in 2015.

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Minggu, 27 November 2011

[H322.Ebook] Download Ebook MTTC Early Childhood Education (General and Special Education) (106) Test Flashcard Study System: MTTC Exam Practice Questions & Review for

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***Ace the MTTC Early Childhood Education (General and Special Education) Test and Get the Results You Deserve*** The MTTC Early Childhood Education (General and Special Education) Test is a challenging test and your results can make a huge difference when it comes to your future. If you do well on the exam, it can open doors and lead to wonderful opportunities. If you do poorly on the exam, you will find yourself with a lot fewer options. You may have to put your plans for the future on hold, or even give up on them altogether. Preparing for your exam with our MTTC Early Childhood Education (General and Special Education) Test Flashcard Study System can help you avoid this fate and give you a big advantage when you sit down to take the test. Thousands of satisfied customers have relied on Mometrix Flashcards to help them pass their exam, and now you can too. When you study with these flashcards, you'll get an in-depth review of each section on the MTTC Early Childhood Education (General and Special Education) Test. The Child Development and Learning section covers:

  • Sensorimotor period of cognitive development
  • Freud's psychoanalytic theory of personality development
  • Birth order
  • Integrated curriculum
The Communication, Language, and Literacy Development section covers:
  • Oral language development
  • Alphabetic principle
  • Dyslexia
The Learning in the Content Areas: Mathematics section covers:
  • Problem solving skills
  • Making mathematics fun
  • Prerequisite abilities
The Learning in the Content Areas: Science section covers:
  • Naturalistic, informal, and structure learning experiences
  • Light
  • Erosion
The Learning in the Content Areas: Social Studies section covers:
  • ECE views regarding conflict resolution processes
  • Essential concepts in geography
  • Graphs
The Learning in the Content Areas: Creative Arts section covers:
  • Main functions of art
  • Pitch, tempo, and rhythm
The Learning in the Content Areas: Health, Safety, and Physical Activities section covers:
  • Promoting human health and wellness and preventing disease
  • Newborn motor reflexes
  • Digestive system
The Professional Development section covers:
  • Interactions with other adults in the learning environment
  • Medical care and treatment
  • Custody issues
...and much more! We believe in delivering lots of value for your money, so the MTTC Early Childhood Education (General and Special Education) Test Flashcard Study System is packed with the critical information you'll need to master in order to ace the MTTC Early Childhood Education (General and Special Education) Test. Study after study has shown that spaced repetition is the most effective form of learning, and nothing beats flashcards when it comes to making repetitive learning fun and fast. MTTC Early Childhood Education (General and Special Education) Test Flashcard Study System uses repetitive methods of study to teach you how to break apart and quickly solve difficult test questions on the test. Our flashcards enable you to study small, digestible bits of information that are easy to learn and give you exposure to the different question types and concepts. With our flashcards, you'll be able to study anywhere, whenever you have a few free minutes of time. Our company has helped thousands of people achieve their education goals. MTTC Early Childhood Education (General and Special Education) Test Flashcard Study System can help you get the results you deserve.

  • Sales Rank: #2409297 in Books
  • Published on: 2013-02-14
  • Original language: English
  • Number of items: 1
  • Dimensions: .89" h x 8.51" w x 11.06" l,
  • Binding: Cards
  • 553 pages

Review
Learn How to Quickly Solve Difficult MTTC Test Questions

Here's a little "secret" about the MTTC: the MTTC is what we in the test preparation field call a "content driven" test.

While some tests are looking to see what you are ABLE to learn, the purpose of the Michigan Test for Teacher Certification (MTTC), offered by the Michigan Department of Education (MDE) and National Evaluation Systems (NES), is to test your understanding of what you have already learned. The goal of the MTTC is to use a standardized testing process to create an objective assessment of a test taker's knowledge and skills.

In other words, it's more about what you know than your ability to solve clever puzzles. This is good news for those who are serious about being prepared, because it boils down to a very simple strategy:

You can succeed on the MTTC by learning critical concepts on the test so that you are prepared for as many questions as possible.

Repetition and thorough preparation is a process that rewards those who are serious about being prepared, which means that succeeding on the MTTC is within the reach of virtually anyone interested in learning the material.

This is great news! It means that if you've been worried about your upcoming MTTC, you can rest easy IF you have a good strategy for knowing what to study and how to effectively use repetition to your advantage.

But it also creates another set of problems.

If you tried to memorize every single possible thing you can for the MTTC, the field of possible things to review would be so huge that you could not hope to cover everything in a reasonable time.

That's why we created the MTTC Flashcard Study System: we have taken all of the possible topics and reduced them down to the hundreds of concepts you must know and provided an easy-to-use learning method to guarantee success on the MTTC.

We wanted this system to be simple, effective, and fast so that you can succeed on your MTTC with a minimum amount of time spent preparing for it. --

Here Are Some of the Features of Our MTTC Flashcard Study System

  • Study after study has shown that repetition is the most effective form of learning- and nothing beats flashcards when it comes to making repetitive learning fun and fast
  • Flashcards engage more of your senses in the learning process- you "compete" with yourself to see if you know the answers to the questions, and the flipping action gets you actively involved in the learning process
  • Our cards are printed on heavy, bright white 67 lb. cover stock, and are laser printed at 1200 dpi on our industrial printers- these are professional-quality cards that will not smear or wear out with heavy usage
  • We cover the major content areas on the exam
  • Our flashcards include an edge that is micro-perforated, which means that you are much less likely to have a painful papercut on your fingers when moving quickly through the cards
  • Our cards are portable, making it easy for you to grab a few and study while waiting for the bus or the doctor, or anywhere where you have a spare moment that would otherwise be wasted
  • Our MTTC cards are written in an easy to understand, straightforward style - we don't include any more technical jargon than what you need to pass the test
  • The cards are a generous size- 3.67 x 4.25 inches- they fit perfectly in your hands and they aren't so small that you have to use a magnifying glass to read tiny type- all questions and answers are in a normal-size print for easy studying
  • Our cards include in-depth explanations- you won't see any "one word" answers on our cards that require you to go get a textbook to understand why your answer was wrong- all of our cards include generous, thorough explanations so you not only get it right or wrong- but you also know why!
  • We use a font created by Microsoft to make reading easier- this will enable you to absorb more information painlessly during late night study sessions
  • Our system enables you to study in small, digestible bits of information- unlike using boring textbooks, flashcards turn learning into a "game" you can play until you've mastered the material
  • It's easy for a friend to help you study- they don't even have to know anything about the MTTC- if they can read, then they can quiz you with our flashcards!

Now, let us explain what the MTTC Flashcard Study System is not. It is not a comprehensive review of your education, as there's no way we could fit that onto a single set of flashcards.

Don't get us wrong: we're not saying that memorization alone will automatically result in a passing MTTC score- you have to have the ability to apply it as well. However, without the foundation of the core concepts, you cannot possibly hope to apply the information. After all, you can't apply what you don't know.

MTTC Flashcard Study System is a compilation of the hundreds of critical concepts you must understand to pass the MTTC. Nothing more, nothing less. --

If you think there's even the smallest chance that these flashcards will help you, you owe it to yourself to try them out. Don't let fear or doubt stand in the way of your opportunity to achieve the test score you need to fulfill your dreams.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Increase your confidence and make you ready to take the test
By Dennis Smith
If you need to get more studying in for the MTTC Early Childhood Education (General and Special Education) (106) exam then use this flashcard study system. The cards are very detailed and are written in a clear and concise manner to make learning and retention easier. You can take them anywhere you go and you won't believe how much more studying you can put in when you have these cards with you. Even if you're just taking a quick break because you have them with you it can just as easily be a study break. All that extra time adds up and will help to increase your confidence and make you ready to take the test and pass it.

1 of 1 people found the following review helpful.
Flash cards are all you need
By April
You might think you will have to go through quite a bit of material in order to get ready for this test. You have books, notes and plenty of other things that you will want to review. But if you have these flash cards on your side, they’re really all you need. These cards have all of the details in them that you need in order to do well on the test. You can enjoy the question and answer format and you can quiz yourself with them as you get to know them better. The cards are all you need and since they leave nothing out, they can give you confidence that you are on the right track with the right material.

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Sabtu, 26 November 2011

[P970.Ebook] PDF Download International and Comparative Competition Law (Antitrust and Competition Law), by Maher M. Dabbah

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International and Comparative Competition Law (Antitrust and Competition Law), by Maher M. Dabbah

The book aims to provide a comprehensive examination of competition law and policy from an international and comparative perspectives, covering the role of different international organisations active in the area, the significant role of multinational enterprises, looking at the US and EC systems in particular. It also looks at law and policy in developing countries and at a regional level, taking examples from different regions, including Africa, the Middle East and Asia. The book also explores the process of internationalisation of competition law and considers among other things: the doctrine of extraterritoriality, bilateral cooperation and multilateral cooperation.

  • Sales Rank: #3637053 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2010-11-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.26" w x 5.98" l, 2.46 pounds
  • Binding: Paperback
  • 714 pages
Features
  • Used Book in Good Condition

Review
"Dabbah a prolific writer whose books have been well received, blends together numerous academic and practical sources that analyze the book's two themes, and he offers thoughtful insights and suggestions"
-Michael S. Gal, University of Hafia Faculty of Law

About the Author
Maher Dabbah is the Founder and Director of the Interdisciplinary Centre for Competition Law and Policy (ICC), Queen Mary, University of London. He also acts as a consultant to different organisations in the field and as special counsel to large businesses.

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Jumat, 25 November 2011

[E577.Ebook] Fee Download Global Environmental Governance, Technology and Politics: The Anthropocene Gap, by Victor Galaz

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Global Environmental Governance, Technology and Politics: The Anthropocene Gap, by Victor Galaz

Global Environmental Governance, Technology and Politics: The Anthropocene Gap, by Victor Galaz



Global Environmental Governance, Technology and Politics: The Anthropocene Gap, by Victor Galaz

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Global Environmental Governance, Technology and Politics: The Anthropocene Gap, by Victor Galaz

'It is clear that as a species we haven't yet figured out how to work together to solve the great global environmental challenges we face today. In this book Victor Galaz usefully and simply introduces the current debates around planetary boundaries before diving into the challenges of finding solutions to governance problems in a complex globalised world which is experiencing rapid technological developments (from trading robots to synthetic biology). He takes inspiration from people like Nobel Laureate Elinor Ostrom whose work on protecting the commons is second to none. He takes issue with the 'technology will solve all' approach of 'The God Species' author Mark Lynas. This book is a thought-provoking and helpful read for anyone searching for progress on issues such as climate change.'
- Mike Childs, Head of Science, Policy & Research, Friends of the Earth

'Victor Galaz opens a new pathway, critically needed, yet breathtaking. In a thoughtful and inspirational manner, he takes on the challenge of how humanity is to navigate the unprecedented scale, speed and complexity of the Anthropocene. The focus is on the interplay between rapid nonlinear global environmental change and emerging technologies, like engineering the planet, tipping points, epidemic surprise or increased connectivity between financial markets, commodity markets, ecosystem services and underlying technologies. In a truly novel way, Galaz moves governance research to the very front of sustainability science and resilience thinking 'Global Environmental Governance, Technology and Politics' is indeed a groundbreaking contribution, highly recommended!'
- Carl Folke, Stockholm University, Sweden

'The idea of the Anthropocene highlights urgent environmental, health and economic challenges facing humanity. This book shows clearly why shifts in power and governance must be core to our responses, but also that new, creative, multi-scale approaches are needed. Candid, reflective and richly-illustrated, this is a must-read contribution to the debate of our age about how to build sustainable futures.'
- Melissa Leach, Institute of Development Studies, Sussex, UK

We live on an increasingly human-dominated planet. Our impact on the Earth has become so huge that researchers now suggest that it merits its own geological epoch the 'Anthropocene' the age of humans. Combining theory development and case studies of 'planetary boundaries', emerging infectious diseases, financial markets and geoengineering, this groundbreaking book explores the 'Anthropocene Gap' otherwise known as society's current failure to address the most profound environmental challenges of our times.

What are the political and institutional implications of this new epoch? And what are some novel ways to analyse the complicated interplay between institutions, Earth system complexity and technology? This book offers one of the first explorations of political and institutional dimensions of the Anthropocene concept by providing a novel combination of institutional analysis along with insights from Earth system sciences. It provides an exploration of the role of technology for global environmental governance and defines a new agenda for political science analysis in the Anthropocene.

Offering the first summary of the planetary boundaries debate, this cutting edge book will be of great interest to researchers concerned in the interplay between politics, technology, and global environmental change, and those interested in the debate surrounding the Anthropocene and 'planetary boundaries'.

  • Sales Rank: #4166139 in Books
  • Published on: 2015-11-25
  • Original language: English
  • Dimensions: 9.00" h x 6.25" w x .75" l,
  • Binding: Paperback
  • 208 pages

Review
'It is clear that as a species we haven't yet figured out how to work together to solve the great global environmental challenges we face today. In this book Victor Galaz usefully and simply introduces the current debates around planetary boundaries before diving into the challenges of finding solutions to governance problems in a complex globalised world which is experiencing rapid technological developments (from trading robots to synthetic biology). He takes inspiration from people like Nobel Laureate Elinor Ostrom whose work on protecting the commons is second to none. He takes issue with the 'technology will solve all' approach of 'The God Species' author Mark Lynas. This book is a thought-provoking and helpful read for anyone searching for progress on issues such as climate change.'- Mike Childs, Head of Science, Policy & Research, Friends of the Earth; 'Victor Galaz opens a new pathway, critically needed, yet breathtaking. In a thoughtful and inspirational manner, he takes on the challenge of how humanity is to navigate the unprecedented scale, speed and complexity of the Anthropocene. The focus is on the interplay between rapid nonlinear global environmental change and emerging technologies, like engineering the planet, tipping points, epidemic surprise or increased connectivity between financial markets, commodity markets, ecosystem services and underlying technologies. In a truly novel way, Galaz moves governance research to the very front of sustainability science and resilience thinking 'Global Environmental Governance, Technology and Politics' is indeed a groundbreaking contribution, highly recommended!'- Carl Folke, Stockholm University, Sweden; 'The idea of the Anthropocene highlights urgent environmental, health and economic challenges facing humanity. This book shows clearly why shifts in power and governance must be core to our responses, but also that new, creative, multi-scale approaches are needed. Candid, reflective and richly-illustrated, this is a must-read contribution to the debate of our age about how to build sustainable futures.'- Melissa Leach, Institute of Development Studies, Sussex, UK; 'The planetary boundaries concept has generated wide discussion and debate, from the research community through to the institution and governance communities that seek to implement the concept. This book fills a very important gap in the discourse. It integrates the basic science that underpins the concept and the innovative approaches that governance researchers and practitioners are applying, to put planetary boundaries into practice. The book's strengths are its excellent description of the science itself, its deft use of that science to inform the development of governance approaches and its application of state-of-the-art research on institutions. I can highly recommend this book for anyone who wants to get beyond the often shallow commentary on and criticisms of the planetary boundaries concept to a much deeper, thought-provoking and insightful analysis of how societies can continue to develop and thrive within the planet's safe operating space.'- Will Steffen, The Australian National University; "Global Environmental Governance, Technology and Politics' should top the reading list for anyone interested in exploring the nature of governance and the role of technology in this new human-dominated epoch known as the Anthropocene. Combining insights from complexity, innovation and institutional design, Galaz brings cutting edge research to enlighten the current challenges facing humankind. This is a must read.'- Michael Schoon, Arizona State University, US

About the Author
Victor Galaz, Associate Professor in Political Science, Stockholm Resilience Centre, Stockholm University, Sweden

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1 of 1 people found the following review helpful.
Well written and brings together very relevant ideas
By Anita Talberg
This book has been a great resource for me during my PhD. It provides insight into the governance challenges posed by new technologies that threaten certain social and/or environmental thresholds. Galaz provides a positive slant on these technologies, highlighting the role of innovation in resilience. To me, this book suggests that with the right institutional setting governance challenges can be turned into opportunities.

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Kamis, 24 November 2011

[U959.Ebook] PDF Download Prince of Thorns (The Broken Empire), by Mark Lawrence

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Prince of Thorns  (The Broken Empire), by Mark Lawrence

Prince of Thorns (The Broken Empire), by Mark Lawrence



Prince of Thorns  (The Broken Empire), by Mark Lawrence

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Prince of Thorns  (The Broken Empire), by Mark Lawrence

When he was nine, he watched as his mother and brother were killed before him. At thirteen, he led a band of bloodthirsty thugs. By fifteen, he intends to be king…

It’s time for Prince Honorous Jorg Ancrath to return to the castle he turned his back on, to take what’s rightfully his. Since the day he hung pinned on the thorns of a briar patch and watched Count Renar’s men slaughter his mother and young brother, Jorg has been driven to vent his rage. Life and death are no more than a game to him—and he has nothing left to lose. But treachery awaits him in his father’s castle. Treachery and dark magic. No matter how fierce his will, can one young man conquer enemies with power beyond his imagining?

  • Sales Rank: #25321 in Books
  • Brand: Brand: Ace
  • Published on: 2012-07-31
  • Released on: 2012-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.00" w x 4.30" l, .36 pounds
  • Binding: Mass Market Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Review
“This book is brilliant.” --Galaxy Book Reviews

“[A] morbidly gripping, gritty fantasy tale.” --Publishers Weekly

“The best book I’ve read all year…[Lawrence] pulls you in and doesn’t let go.” --New York Times bestselling author Peter V. Brett

“Prince of Thorns deserves attention as the work of an iconoclast who seems determined to turn that familiar thing, Medievalesque Fantasy Trilogy, entirely on its head.” --Locus

About the Author
Mark Lawrence�is a research scientist working on artificial intelligence. He is a dual national with both British and American citizenship, and has held secret-level clearance with both governments. At one point, he was qualified to say, “This isn’t rocket science—oh wait, it actually is.” He is the author of the Broken Empire trilogy (Prince of Thorns,�King of Thorns, and�Emperor of Thorns) and the Red Queen’s War trilogy (Prince of Fools,�The Liar’s Key, and�The Wheel of Osheim).

Excerpt. � Reprinted by permission. All rights reserved.
1

Ravens! Always the ravens. They settled on the gables of the church even before the injured became the dead. Even before Rike had finished taking fingers from hands, and rings from fingers. I leaned back against the gallows-post and nodded to the birds, a dozen of them in a black line, wise-eyed and watching.

The town-square ran red. Blood in the gutters, blood on the flagstones, blood in the fountain. The corpses posed as corpses do. Some comical, reaching for the sky with missing fingers, some peaceful, coiled about their wounds. Flies rose above the wounded as they struggled. This way and that, some blind, some sly, all betrayed by their buzzing entourage.

'Water! Water!' It's always water with the dying. Strange—it's killing that gives me a thirst.

And that was Mabberton. Two hundred dead farmers lying with their scythes and axes. You know, I warned them that we do this for a living. I said it to their leader, Bovid Tor. I gave them that chance, I always do. But no. They wanted blood and slaughter. And they got it.

War, my friends, is a thing of beauty. Those as says otherwise are losing. If I'd bothered to go over to old Bovid, propped up against the fountain with his guts in his lap, he'd probably take a contrary view. But look where disagreeing got him.

'Shit-poor farm maggots,' Rike discarded a handful of fingers over Bovid's open belly. He came to me, holding out his takings, as if it was my fault. 'Look! One gold ring. One! A whole village and one fecking gold ring. I'd like to set the bastards up and knock 'em down again. Fecking bog-farmers.'

He would too: he was an evil bastard, and greedy with it. I held his eye. 'Settle down, Brother Rike. There's more than one kind of gold in Mabberton.'

I gave him my warning look. His cursing stole the magic from the scene; besides, I had to be stern with him. Rike was always on the edge after a battle, wanting more. I gave him a look that told him I had more. More than he could handle. He grumbled, stowed his bloody ring, and thrust his knife back in his belt.

Makin came up then and flung an arm about each of us, clapping gauntlet to shoulder-plate. If Makin had a skill, then smoothing things over was it.

'Brother Jorg is right, Little Rikey. There's treasure aplenty to be found.' He was wont to call Rike 'Little Rikey', on account of him being a head taller than any of us and twice as wide. Makin always told jokes. He'd tell them to those as he killed, if they gave him time. Liked to see them go out with a smile.

'What treasure?' Rike wanted to know, still surly.

'When you get farmers, what else do you always get, Little Rikey?' Makin raised his eyebrows all suggestive.

Rike lifted his visor, treating us to his ugly face. Well brutal more than ugly. I think the scars improved him. 'Cows?'

Makin pursed his lips. I never liked his lips, too thick and fleshy, but I forgave him that, for his joking and his deathly work with that flail of his. 'Well, you can have the cows, Little Rikey. Me, I'm going to find a farmer's daughter or three, before the others use them all up.'

They went off then, Rike doing that laugh of his—'hur, hur, hur'—as if he was trying to cough a fishbone out.

I watched them force the door to Bovid's place opposite the church, a fine house, high roofed with wooden slates and a little flower garden in front. Bovid followed them with his eyes, but he couldn't turn his head.

I looked at the ravens, I watched Gemt and his half-wit brother, Maical, taking heads, Maical with the cart and Gemt with the axe. A thing of beauty, I tell you. At least to look at. I'll agree war smells bad. But, we'd torch the place soon enough and the stink would all turn to wood-smoke. Gold rings? I needed no more payment.

'Boy!' Bovid called out, his voice all hollow like, and weak.

I went to stand before him, leaning on my sword, tired in my arms and legs all of a sudden. 'Best speak your piece quickly, farmer. Brother Gemt's a-coming with his axe. Chop-chop.'

He didn't seem too worried. It's hard to worry a man so close to the worm-feast. Still it irked me that he held me so lightly and called me 'boy'. 'Do you have daughters, farmer? Hiding in the cellar maybe? Old Rike will sniff them out.'

Bovid looked up sharp at that, pained and sharp. 'H-how old are you, boy?'

Again the 'boy'. 'Old enough to slit you open like a fat purse,' I said, getting angry now. I don't like to get angry. It makes me angry. I don't think he caught even that. I don't think he even knew it was me that opened him up not half an hour before.

'Fifteen summers, no more. Couldn't be more…' His words came slow, from blue lips in a white face.

Out by two, I would have told him, but he'd gone past hearing. The cart creaked up behind me, and Gemt came along with his axe dripping.

'Take his head,' I told them. 'Leave his fat belly for the ravens.'

Fifteen! I'd hardly be fifteen and rousting villages.

By the time fifteen came around, I'd be King!

2

Mabberton burned well. All the villages burned well that summer. Makin called it a hot bastard of a summer, too mean to give out rain, and he wasn't wrong. Dust rose behind us when we rode in; smoke when we rode out.

'Who'd be a farmer?' Makin liked to ask questions.

'Who'd be a farmer's daughter?' I nodded toward Rike, rolling in his saddle, almost tired enough to fall out, wearing a stupid grin and a bolt of samite cloth over his half-plate. Where he found samite in Mabberton I never did get to know.

'Brother Rike does enjoy his simple pleasures,' Makin said.

He did. Rike had a hunger for it. Hungry like the fire.

The flames fair ate up Mabberton. I put the torch to the thatched inn, and the fire chased us out. Just one more bloody day in the years' long death throes of our broken empire.

Makin wiped at his sweat, smearing himself all over with soot-stripes. He had a talent for getting dirty, did Makin. 'You weren't above those simple pleasures yourself, Brother Jorg.'

I couldn't argue there. 'How old are you?' that fat farmer had wanted to know. Old enough to pay a call on his daughters. The fat girl had a lot to say, just like her father. Screeched like a barn owl: hurt my ears with it. I liked the older one better. She was quiet enough. So quiet you'd give a twist here or there just to check she hadn't died of fright. Though I don't suppose either of them was quiet when the fire reached them…

Gemt rode up and spoiled my imaginings.

'The Baron's men will see that smoke from ten miles. You shouldn'ta burned it.' He shook his head, his stupid mane of ginger hair bobbing this way and that.

'Shouldn'ta,' his idiot brother joined in, calling from the old grey. We let him ride the old grey with the cart hitched up. The grey wouldn't leave the road. That horse was cleverer than Maical.

Gemt always wanted to point stuff out. 'You shouldn'ta put them bodies down the well, we'll go thirsty now.' 'You shouldn'ta killed that priest, we'll have bad luck now.' 'If we'd gone easy on her we'd have a ransom from Baron Kennick.' I just ached to put my knife through his throat. Right then. Just to lean out and plant it in his neck. 'What's that? What say you, Brother Gemt? Bubble, bubble? Shouldn'ta stabbed your bulgy old Adam's apple?'

'Oh no!' I cried, all shocked like. 'Quick, Little Rikey, go piss on Mabberton. Got to put that fire out.'

'Baron's men will see it,' said Gemt, stubborn and red-faced. He went red as a beet if you crossed him. That red face just made me want to kill him even more. I didn't, though. You got responsibilities when you're a leader. You got a responsibility not to kill too many of your men. Or who're you going to lead?

The column bunched up around us, the way it always did when something was up. I pulled on Gerrod's reins and he stopped with a snicker and a stamp. I watched Gemt and waited. Waited until all thirty-eight of my brothers gathered around, and Gemt got so red you'd think his ears would bleed.

'Where we all going, my brothers?' I asked, and I stood in my stirrups so I could look out over their ugly faces. I asked it in my quiet voice and they all hushed to hear.

'Where?' I asked again. 'Surely it isn't just me that knows? Do I keep secrets from you, my brothers?'

Rike looked a bit confused at this, furrowing his brow. Fat Burlow came up on my right, on my left the Nuban with his teeth so white in that soot-black face. Silence.

'Brother Gemt can tell us. He knows what should be and what is.' I smiled, though my hand still ached with wanting my dagger in his neck. 'Where we going, Brother Gemt?'

'Wennith, on the Horse Coast,' he said, all reluctant, not wanting to agree to anything.

'Well and good. How we going to get there? Near forty of us on our fine oh-so-stolen horses?'

Gemt set his jaw. He could see where I was going.

'How we going to get there, if we want us a slice of the pie while it's still nice and hot?' I asked.

'Lich Road!' Rike called out, all pleased that he knew the answer.

'Lich Road,' I repeated, still quiet and smiling. 'What other way could we go?' I looked at the Nuban, holding his dark eyes. I couldn't read him, but I let him read me.

'Ain't no other way.'

Rike's on a roll, I thought, he don't know what game's being played, but he likes his part.

'Do the Baron's men know where we're going?' I asked Fat Burlow.

'War dogs follow the front,' he said. Fat Burlow ain't stupid. His jowls quiver when he speaks, but he ain't stupid.

'So…' I looked around them, real slow-like. 'So, the Baron knows where bandits such as ourselves will be going, and he knows the way we've got to go.' I let that sink in. 'And I just lit a bloody big fire that tells him and his what a bad idea it'd be to follow.'

I stuck Gemt with my knife then. I didn't need to, but I wanted it. He danced pretty enough too, bubble bubble on his blood, and fell off his horse. His red face went pale quick enough.

'Maical,' I said. 'Take his head.'

And he did.

Gemt just chose a bad moment.

3

'Two dead, two wrigglers.' Makin wore that big grin of his.

We'd have camped by the gibbet in any case, but Makin had ridden on ahead to check the ground. I thought the news that two of the four gibbet cages held live prisoners would cheer the brothers.

'Two,' Rike grumbled. He'd tired himself out, and a tired Little Rikey always sees a gibbet as half empty.

'Two!' the Nuban hollered down the line.

I could see some of the lads exchanging coin on their bets. The Lich Road is as boring as a Sunday sermon. It runs straight and level. So straight it gets so as you'd kill for a left turn or a right turn. So level you'd cheer a slope. And on every side, marsh, midges, midges and more marsh. On the Lich Road it didn't get any better than two caged wrigglers on a gibbet.

Strange that I didn't think to question what business a gibbet had standing out there in the middle of nowhere. I took it as a bounty. Somebody had left their prisoners to die, dangling in cages at the roadside. A strange spot to choose, but free entertainment for my little band nonetheless The brothers were eager, so I nudged Gerrod into a trot. A good horse, Gerrod. He shook off his weariness and clattered along. There's no road like the Lich Road for clattering along.

'Wrigglers!' Rike gave a shout and they were all racing to catch up.

I let Gerrod have his head. He wouldn't let any horse get past him. Not on this road. Not with every yard of it paved, every flagstone fitting with the next so close a blade of grass couldn't hope for the light. Not a stone turned, not a stone worn. Built on a bog, mind you!

I beat them to the wrigglers, of course. None of them could touch Gerrod. Certainly not with me on his back and them all half as heavy again. At the gibbet I turned to look back at them, strung out along the road. I yelled out, wild with the joy of it, loud enough to wake the head-cart. Gemt would be in there, bouncing around at the back.

Makin reached me first, even though he'd rode the distance twice before.

'Let the Baron's men come,' I told him. 'The Lich Road is as good as any bridge. Ten men could hold an army here. Them that wants to flank us can drown in the bog.'

Makin nodded, still hunting his breath.

'The ones who built this road… if they'd make me a castle—' Thunder in the east cut across my words.

'If the Road-men built castles we'd never get in anywhere,' Makin said. 'Be happy they're gone.'

We watched the brothers come in. The sunset turned the marsh pools to orange fire, and I thought of Mabberton.

'A good day, Brother Makin,' I said.

'Indeed, Brother Jorg,' he said.

So, the brothers came and set to arguing over the wrigglers. I went and sat against the loot-cart to read while the light stayed with us and the rain held off. The day left me in mind to read Plutarch. I had him all to myself, sandwiched between leather covers. Some worthy monk spent a lifetime on that book. A lifetime hunched over it, brush in hand. Here the gold, for halo, sun, and scrollwork. Here a blue like poison, bluer than a noon sky. Tiny vermilion dots to make a bed of flowers. Probably went blind over it, that monk. Probably poured his life in here, from young lad to grey-head, prettying up old Plutarch's words.

The thunder rolled, the wrigglers wriggled and howled, and I sat reading words that were older than old before the Road-men built their roads.

'You're cowards! Women with your swords and axes!' One of the crow-feasts on the gibbet had a mouth on him.

'Not a man amongst you. All pederasts, trailing up here after that little boy.' He curled his words up at the end like a Merssy-man.

'There's a fella over here got an opinion about you, Brother Jorg!' Makin called out.

A drop of rain hit my nose. I closed the cover on Plutarch. He'd waited a while to tell me about Sparta and Lycurgus, he could wait some more and not get wet doing it. The wriggler had more to say and I let him tell it to my back. On the road you've got to wrap a book well to keep the rain out. Ten turns of oilcloth, ten more turns the other way, then stash it under a cloak in a saddlebag. A good saddlebag mind, none of that junk from the Thurtans, good double-stitched leather from the Horse Coast.

The lads parted to let me up close. The gibbet stank worse than the head-cart, a crude thing of fresh-cut timber. Four cages hung there. Two held dead men. Verydead men. Legs dangling through the bars, raven-pecked to the bone. Flies thick about them, like a second skin, black and buzzing. The lads had taken a few pokes at one of the wrigglers, and he didn't look too cheerful for it. In fact he looked as if he'd pegged it. Which was a waste, as we had a whole night ahead of us, and I'd have said as much, but for the wriggler with the mouth.

'So now the boy comes over! He's finished looking for lewd pictures in his stolen book.' He sat crouched up in his cage, his feet all bleeding and raw. An old man, maybe forty, all black hair and beard and dark eyes glittering. 'Take the pages to wipe your dung, boy,' he said fierce-like, grabbing the bars all of a sudden, making the cage swing. 'It's the only use you'll get from it.'

'We could set a slow fire?' Rike said. Even Rike knew the old man just wanted us angry, so we'd finish him quick. 'Like we did at the Ronwood gibbets.'

A few chuckles went up at that. Not from Makin though. He had a frown on under his dirt and soot, staring at the wriggler. I held up a hand to quiet them down.

'It'd be a shameful waste of such a fine book, Father Gomst,' I said.

Like Makin, I'd recognized Gomst through all that beard and hair. Without that accent though he'd have got roasted.

'Especially an "On Lycurgus" written in high Latin, not that pidgin-Romano they teach in church.'

'You know me?' He asked it in a cracked voice, weepy all of a sudden.

'Of course I do.' I pushed both hands through my lovely locks, and set my hair back so he could see me proper in the gloom. I have the sharp dark looks of the Ancraths. 'You're Father Gomst, come to take me back to school.'

'Pr-prin…' He was blubbing now, unable to get his words out. Disgusting really. Made me feel as if I'd bitten something rotten.

'Prince Honorous Jorg Ancrath, at your service.' I did my court bow.

'Wh-what became of Captain Bortha?' Father Gomst swung gently in his cage, all confused.

'Captain Bortha, sir!' Makin snapped a salute and stepped up. He had blood on him from the first wriggler.

We had us a deathly silence then. Even the chirp and whir of the marsh hushed down to a whisper. The brothers looked from me, back to the old priest, and back to me, mouths hanging open. Little Rikey couldn't have looked more surprised if you'd asked him nine times six.

The rain chose that moment to fall, all at once as if the Lord Almighty had emptied his chamber pot over us. The gloom that had been gathering set thick as treacle.

'Prince Jorg!' Father Gomst had to shout over the rain. 'The night! You've got to run!' He held the bars of his cage, white-knuckled, wide eyes unblinking in the downpour, staring into the darkness.

And through the night, through the rain, over the marsh where no man could walk, we saw them coming. We saw their lights. Pale lights such as the dead burn in deep pools where men aren't meant to look. Lights that'd promise whatever a man could want, and would set you chasing them, hunting answers and finding only cold mud, deep and hungry.

I never liked Father Gomst. He'd been telling me what to do since I was six, most often with the back of his hand as the reason.

'Run Prince Jorg! Run!' old Gomsty howled, sickeningly self-sacrificing.

So I stood my ground.

4

The dead came on through the rain, the ghosts of the bog-dead, of the drowned, and of men whose corpses were given to the mire. I saw Red Kent run blind and flounder in the marsh. A few of the brothers had the sense to take the road when they ran, most ended in the mire.

Father Gomst started praying in his cage, shouting out the words like a shield: 'Father who art in heaven protect thy son. Father who art in heaven.' Faster and faster, as the fear got into him.

The first of them came up over the sucking pool, and onto the Lichway. He had a glow about him like moonlight, something that you knew would never warm you. You could see his body limned in the light, with the rain racing through him and bouncing on the road.

Nobody stood with me. The Nuban ran, eyes wide in a dark face. Fat Burlow looking as if the blood was let from him. Rike screaming like a child. Even Makin, with a horror on him.

I held my arms wide to the rain. I could feel it beat on me. I didn't have so many years under my belt, but even to me the rain fell like memory. It woke wild nights in me when I stood on the Keep Tower, on the edge above a high fall, near drowned in the deluge and daring the lightning to touch me.

'Our Father who art in heaven. Father who art…' Gomst started to gabble when the lich came close. It burned with a cold fire and you could feel it licking at your bones.

I kept my arms wide and my face to the rain.

'My father isn't in heaven Gomsty,' I said. 'He's in his castle, counting out his men.'

The dead thing closed on me, and I looked in its eyes. Hollow they were.

'What have you got?' I said.

And it showed me.

And I showed it.

There's a reason I'm going to win this war. Everyone alive has been fighting a battle that grew old before they were born. I cut my teeth on the wooden soldiers in my father's war-room. There's a reason I'm going to win where they failed. It's because I understand the game.

'Hell,' the dead man said. 'I've got hell.'

And he flowed into me, cold as dying, edged like a razor.

I felt my mouth curl in a smile. I heard my laughing over the rain.

A knife is a scary thing right enough, held to your throat, sharp and cool. The fire too, and the rack. And an old ghost on the Lichway. All of them might give you pause. Until you realize what they are. They're just ways to lose the game. You lose the game, and what have you lost? You've lost the game.

That's the secret, and it amazes me that it's mine and mine alone. I saw the game for what it was the night when Count Renar's men caught our carriage. There was a storm that night too, I remember the din of rain on the carriage roof and the thunder beneath it.

Big Jan had fair hauled the door off its hinges to get us out. He only had time for me though. He threw me clear; into a briar patch so thick that the Count's men persuaded themselves I'd run into the night. They didn't want to search it. But I hadn't run. I'd hung there in the thorns, and I saw them kill Big Jan. I saw it in the frozen moments the lightning gave me.

I saw what they did to Mother, and how long it took. They broke little William's head against a milestone. Golden curls and blood. And I'll admit that William was the first of my brothers, and he did have his hooks in me, with his chubby hands and laughing. Since then I've taken on many a brother, and evil ones at that, so I'd not miss one or three. But at the time, it did hurt to see little William broken like that, like a toy. Like something worthless.

When they killed him, Mother wouldn't hold her peace, so they slit her throat. I was stupid then, being only nine, and I fought to save them both. But the thorns held me tight. I've learned to appreciate thorns since.

The thorns taught me the game. They let me understand what all those grim and serious men who've fought the Hundred War, have yet to learn. You can only win the game when you understand that it is a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him lose them all.

'What have you got for me, dead thing?' I asked.

It's a game. I will play my pieces.

I felt him cold inside me. I saw his death. I saw his despair. And his hunger. And I gave it back. I'd expected more, but he was only dead.

I showed him the empty time where my memory won't go. I let him look there.

He ran from me then. He ran, and I chased him. But only to the edge of the marsh. Because it's a game. And I'm going to win.

Most helpful customer reviews

187 of 210 people found the following review helpful.
Grim, Dark, Fantastic: Lawrence is the new KJ Parker
By Amazon Customer
All I can say about this book is "wow". Actually, that's a lie; I have a lot more to say. These kind of grim, ultra-harsh fantasies with anti-hero leads are really hard to write well. Getting the right mix of believability and twisted viciousness in the protagonist, while not making the reader totally hate him, is tough. Before reading this, KJ Parker (Fencer trilogy, Scavenger trilogy) was the undisputed king in this area; now Lawrence (the author) joins him as one of the great masters of dark fantasy.

The plot is solid: in a Jack Vance "Dying Earth"-ish future, scores of petty kings and nobles compete to reclaim an empire, while in the shadows magicians and necromancers manipulate and control events for their own agendas. The protagonist, Prince Jorg, has been on the road with the roughest band of killers for four years, forging himself into a weapon after his mother and brother were killed in front of him. Having taken control of this brotherhood of brigands, he decides to return home and attempt to take his birthright, sparking further trials and conquests.

The writing style was very good, the pacing was great, and flashbacks filled in the backstory in nicely digestible pieces. As a note, I'm normally not such a fan of flashbacks, but Lawrence managed to keep them germane, where each one helped further the main storyline, rather than distracting from it. Lawrence, like Parker, really excels in his character portrayal of Jorg, and captures his semi-psychotic nature. I liked the combat writing too; typically fast, vicious, and clever, it avoided pitfalls of unbelievable actions or lengthy, technically complicated duels, while still included more than enough blood and bodies.

Overall a great effort, and possibly the best dark fantasy I've read since the Fencer trilogy. Recommended to anyone that likes a dark fantasy, and particularly to those that like KJ Parker (and vice versa).

78 of 87 people found the following review helpful.
One of the Best Anti-heroes in a Long Time
By Amanda M Lyons
What a wonderfully dark and often humorous trip this books has been!

Prince of Thorns is the story of Honorous Jorg Ancrath as much a prince of thievery and cruelty as he is to the throne currently occupied by his less than chivalrous father. A smart quick-witted and brutal 15 year old, Jorg is often taken for less than the sum of his experience. He is no less than a rogue and has more than earned his place among his Brothers of the road by cracking skulls as much as by leadership.

Jorg is no ordinary teenager. He's lived among the brutal marauders, under their rules for the last four years. He left his father's castle by his own choice at the age of ten on a quest to avenge his mother and brother who were horribly murdered before his eyes. His quest as yet unfinished he travels his world making war and death his stock and trade. Until that is he's brought home and the path he's chosen is forced to change.

I haven't read a book with such a great first person narrative in ages! Jorg makes no bones about just what sort of person he's become since he left his father's castle telling us exactly what it is he and his men do as they wander about in as clear detail as he cares to offer. Jorg it seems has become an evildoer and relishes the action and battle he finds with his comrades though that horrible night which changed his life is never far from his thoughts. While this should make him a less than sympathetic character it well and truly doesn't! While he's capable of a great deal of wrong he's also a very keen wit and is clearly acting to survive in a world he feels has no sympathy for the innocent. He is essentially giving his world back the same pain and misery it has given him only with a lot more charm and cunning than it bargained for!

While Jorg is only 15 he speaks with the voice of a man twice his age and with a wry sort of humor most couldn't take in such darkness. His companions and the many combatants they meet along the way are just as intriguing as the storyteller himself. I think any fantasy fan is going to love this book! The voice Jorg tells his tale with (there is more on the way thank goodness!) is crisp clear and very easy to get caught up in. Lawrence's writing is hugely entertaining and he takes us to so many unexpected places that you can't help but want to read more. This books is a treat to read and well worth the time invested!

69 of 79 people found the following review helpful.
Prince of thorns
By Blodeuedd
Note: review by a friend

Brother Jorg, Prince Honorous Jorg Ancrath, will be King by fifteen. Emperor by 21, probably. But at the moment he is a road bandit, rapist, butcher, torturer. And he is the hero of the book Prince of Thorns, by Mark Lawrence.

You get heroes of all kind in fantasy literature - heroes with varying degree of skill, powers and motivation. The good guys are pure of heart and clean of face. Then we have the anti-heroes, the unwilling heroes who have the hero-hood thrust upon them, but they always come through, and finally show their heart of gold.

Brother Jorg is at the far end of that scale, you might say. He is a stone cold bastard, thirteen year of age, killed more men than the plague. But ok - the land is riddled with war; the feuds between the little kingdoms have been going on for decades, centuries. If he can become the Emperor, at least there will be no more war.

Prince of Thorns is the first book of a trilogy, where we will follow Jorg's path. The set is an alternate Europe (with magic, ghosts and monstrosities), refreshing it its simplicity. The focus is entirely on Jorg. His stubbornness and lack of fear is legendary - he survives against overwhelming odds by a mixture of intelligence, brutality, dirty tricks, cunning, necromancy, etc.

What do I think about it? If you can get through the initial revulsion in the first dozens of pages (where the author really grinds your nose into the feces of brutality and immorality, to get your mind on the right track) it's a wonderful book! A page turner, I personally read it in one sitting. Ok, you may learn that Jorg has had a rough childhood to motivate his deeds, but that doesn't really matter. It is refreshing to just be able to follow the machinations of an artful bastard, winning against all odds. Just don't expect much romance and love - there is a hint, but no more.

Conclusion:
Extremely different! But refreshingly so. I will read the other two books, that's a promise.

Rating:
Recommended, for some

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Selasa, 22 November 2011

[X984.Ebook] PDF Download Handbook of Technical Writing, by Charles T. Brusaw

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Handbook of Technical Writing, by Charles T. Brusaw

Handbook of Technical Writing, by Charles T. Brusaw



Handbook of Technical Writing, by Charles T. Brusaw

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Handbook of Technical Writing, by Charles T. Brusaw

New to this edition: Up-to-date information on on-line research and computer resources.

A unique four-way access system enables users of the Handbook of Technical Writing to find what they need quickly and get on with the job of writing:

1. The hundreds of entries in the body of the Handbook are alphabetically arranged, so you can flip right to the topic at hand. Words and phrases in bold type provide cross-references to related entries.

2. The topical key groups alphabetical entries and page numbers under broader topic categories. This topical table of contents allows you to check broader subject areas for the specific topic you need.

3. The checklist of the writing process summarizes the opening essay on "Five Steps to Successful Writing" in checklist form with page references to related topics, making it easy to use the Handbook as a writing text.

4. The comprehensive index provides an exhaustive listing of related and commonly confused topics, so you can easily locate information even when you don't know the exact term you're looking for.

  • Sales Rank: #4023848 in Books
  • Published on: 1997-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.48" h x 1.27" w x 5.88" l,
  • Binding: Hardcover
  • 832 pages

Review
"I love the accessibility, brevity of entries, and layout of this book. Many of my students keep the text long after the course is over to have a handy and accurate reference on the shelf at work."
--Nancy Schneider, University of Maine - Augusta

"I have found this book to be an excellent resource for finding answers to a variety of technical writing questions both simply and quickly. The wide range of topics covered also makes the handbook useful as a general reference across many disciplines."
--Cynthia Raisor, Texas A&M University

"This handbook has kept up with the increasing focus on technology and electronic research and with the typical components of a variety of professional documents. Once students discover this book's usefulness, they consult it in conjunction with every writing assignment, saving me time and encouraging them to participate more fully in their own learning."
--Karen Welch, University of Wisconsin - Eau Claire

"I choose the Handbook of Technical Writing because I want students to have a single, reliable, versatile and broad-ranging text that will serve them well in a variety of circumstances."
--Ralph Batie, Oregon Institute of Technology

"The Handbook of Technical Writing is written clearly and the information in it is accessible. It's a valuable companion in any technical writing classroom."
--Natalie D. Segal, University of Hartford


About the Author
Charles T. Brusaw was a professional writer for the NCR Corporation. He is currently a communications consultant to business and industry in Dayton, Ohio.

Gerald J. Alred is a teacher of business and technical writing at the University of Wisconsin-Milwaukee, and lives in Milwaukee.

Walter E. Oliu is a writer for the U.S. Nuclear Regulatory Commission, and lives in Gaithersburg, Maryland.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A handy tool for writers…
By Silverwing
Although no handbook/guide is completely comprehensive of all the topics in a particular field, this book does a great job in providing instruction/information. This book covers areas ranging from the proper utilization of proper grammar (from basic concepts to those which are more advanced), how to begin and conduct research, how to write papers, reports, and proposals, and numerous other topics. The information is presented clearly and is well organized. A Handbook for Technical Writing will definitely serve as a handy desk reference for years to come.

0 of 0 people found the following review helpful.
Great Purchase - Reasonable Price
By Atharva Dhole
Came a little late, but that was not off significant concern. The book was in great condition, but I'm skeptical to call it new as there were some areas of wear along the edge and corner. However, for the price this was an excellent purchase. Content is great and exactly what was required for my technical writing class

0 of 0 people found the following review helpful.
Technical Writing book - great for studying for DSST tests.
By Desiree Shaffer
I bought this text for my son who is studying for a DSST test in Technical Writing so that he can skip the course (and save some money and time in the process). This is an excellent resource that many other DSST test takers have recommended. It is thorough, concise, and easy to navigate since everything is listed in alphabetical order. There are many samples shown of several different types of technical documents. Highly recommended.

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