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Amelia Bloomer, a rebellious reformer and early women's rights activist, invented bloomers (baggy pantaloons worn with a short skirt over them), thus liberating women from the dangerous and oppressive clothing of the mid-nineteenth century. Here is her story, told in buoyant, witty text and beautiful, high styled-illustrations.
- Sales Rank: #830757 in Books
- Brand: Scholastic Press
- Model: FBA-|298186
- Published on: 2000-03-01
- Original language: English
- Number of items: 1
- Dimensions: .40" h x 10.62" w x 11.10" l, 1.02 pounds
- Binding: Hardcover
- 40 pages
Amazon.com Review
Amelia Bloomer is not a proper lady. She thinks proper ladies of the 19th century are silly. They're not allowed to vote, not supposed to work, and all that fuss about clothes! Ridiculously wide hoop skirts, yards and yards of hot petticoats, and cruelly tight corsets supported by whalebone or steel made women faint at the drop of the hat: "What was proper about that?" So Amelia, being so very improper, sets out to revolutionize the world for women.
Not only does she start her own newspaper and try to change the voting laws, she also popularizes a new fashion. This bold new garb shocks the proper ladies, but frees all others to move, digest, breathe, and think about something other than keeping from fainting (such as voting and working). Named for their best spokesperson, bloomers marked the start of a kinder, gentler approach to women's fashion--and women's rights.
Shana Corey's lightly humorous voice is perfect for this true story about the 19th-century women's rights activist. A note at the end provides horrifying and fascinating information about women's restrictive clothing (corsets sometimes displaced internal organs!) and the dress reform that Amelia Bloomer spearheaded. Chesley McLaren's breezy, exuberant illustrations charmingly reflect her background in fashion design and illustration. (Ages 5 to 8) --Emilie Coulter
From Publishers Weekly
Modern rebels meet a kindred spirit in Corey and McLaren's exuberant debut that introduces feminist pioneer Amelia Bloomer. "Amelia Bloomer was NOT a proper lady," trumpets the text, which tells how to recognize 19th-century women of propriety: "Their dresses were so long that... their skirts swept up all the mud and trash from the street. What was proper about that?" Amid graceful illustrations of ladies in overblown ruffles and breath-restricting corsets, Amelia appears in a practical navy blue dress, hatless. Amelia is especially impressed by suffragist Elizabeth Cady Stanton's cousin, Libby Miller, who has the good sense to wear a knee-length skirt over baggy, gathered pants. Amelia pronounces the outfit "Brilliant!" and publicizes it in the women's newspaper that she edits. Fans and foes alike name the new look after her. The title, styled as a taunt, implies Amelia's daring, and the conclusion links bloomers to body-baring "1920's swimwear" and groovy "60's bellbottoms." McLaren presents Amelia's fashion statement in gestural gouaches that imitate designers' sketches; the characters seem to float across the white pages. The artist's palette incorporates the strong violet, deep pink and yellow of aniline dyes, and a curvy typeface complements decorative curlicues in the images. In a breezy and delightfully chic manner, Corey and McLaren tell an inspiring tale of nonconformity. Ages 5-8. (Mar.)
Copyright 2000 Reed Business Information, Inc.
From School Library Journal
Grade 1-3-A funny, disdainful look at the early 19th-century proprieties that set the scene for the women's rights movement. Amelia Bloomer thought proper ladies were silly; it was silly that they couldn't vote, and it was silly that they were not supposed to work. "So she started her own newspaper and went to work on that." Text and pictures flow easily and energetically with comic views of ladies in their lavish, lusciously colored dresses. Several scenes cascade down the page, intertwined with type resembling hand-printed letters. The story keeps a clear focus on the social constraints of confining clothing. Independent-thinker Amelia is thrilled when her friend Elizabeth Cady Stanton brings her cousin to visit. "Libby was not wearing a dress!" Her poufy pantaloons and period shoes are first seen in ebullient splendor on the end pages. Needless to say, Amelia finds them "brilliant," makes a pair for herself, and promotes them in her newspaper. Author and illustrator conclude adroitly, connecting Amelia's influence to present-day modes of dress. Over time, the early "bloomers" went out of style. "But did people really forget all about Amelia Bloomer and her improper ideas?" The answer is laid firmly to rest on the final page with its assortment of contemporary pants-clad women. The concluding essay sketches a bit more detail about Amelia Bloomer, the attire of her time, and women's continued interest in "bloomers." Dressed in a well-shaped story, this entertaining lesson in social history will be especially enjoyed as read-aloud fare.
Margaret Bush, Simmons College, Boston
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
19 of 21 people found the following review helpful.
Do You Know What Bloomers Are?
By A Customer
Do you know what bloomers are? Well, if you don't, read the book YOU FORGOT YOUR SKIRT, AMELIA BLOOMER! Amelia is a girl who hates dresses! Amelia was not a proper lady! Amelia thought proper ladies were silly. She thought it was silly that ladies could not work! So she started her own newspaper. She thought it was even sillier that ladies had to wear big, heavy dresses. So she did something about it! My favorite part is when she made the bloomers and wore them. She sort of looked silly and sort of looked cool. I really liked this book because I learned a lot about Women's History. I learned what bloomers are too! And if you want to know what bloomers are...then read this book! - By Danielle S. Age 7
8 of 8 people found the following review helpful.
You Forgot Your Skirt, Amelia Bloomer: A Very Engaging Story
By A Customer
Amelia Bloomer is a wonderful character, a rebel and achiever who will appeal to any girl from 2 to 20. The story is educational, inspirational and, most importantly, fun to read! Amelia is a woman who does not accept her "proper" place in society and sets out to change the rules. She is tireless in her efforts and is ultimately successful in changing the "proper" place for all women. The illustrations are beautiful. The drawings bring the story and the woman to life, and one can feel Amelia's spunk. I look forward to more books from this duo!
2 of 2 people found the following review helpful.
In the classroom.
By A. Rizzo
Synopsis: Amelia Bloomer lived in a time before women gained the right to
vote. Many ladies did not work, but Amelia Bloomer started her own newspaper. She believed it was foolish that women wore heavy, wide dresses with corsets so tight they fainted easily. A friend comes to visit Amelia, and brings her cousin, who is wearing new clothes: she wore a short skirt of baggy pants legs. Amelia copied the pattern and made her own, which she wore around town. Townspeople were shocked at the unseemly sight, but when Amelia wrote about the clothes in her newspaper many women thought the idea was brilliant. Bloomers became a new style of clothing.
Evaluation: You Forgot Your Skirt, Amelia Bloomer will provide children with
knowledge of the women?s rights movement. Using clear language and comparisons, readers also learn about women?s fashion during the early 1900s. This book offers insight into the restricted roles of women, who were somewhat trapped in their heavy clothing. Teachers will find the author?s note helpful in providing background and additional information regarding Amelia Bloomer, Bloomers, and the fight for women?s rights. Paintings in the book were done in opaque watercolors. The paintings will provide visual representations of items readers may not be familiar with, such as corsets, petticoats a printing press and bloomers. Humor is used in the artwork to demonstrate how restrictive the clothing of the time was.
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