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The Miracle Worker: A Play, by William Gibson
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Based on the remarkable true story of Helen Keller and her teacher Annie Sullivan, this inspiring and unforgettable play has moved countless readers and become an American classic.
Young Helen Keller, blind, deaf, and mute since infancy, is in danger of being sent to an institution because her inability to communicate has left her frustrated and violent. In desperation, her parents seek help from the Perkins Institute, which sends them a "half-blind Yankee schoolgirl" named Annie Sullivan to tutor their daughter. Despite the Kellers' resistance and the belief that Helen "is like a little safe, locked, that no one can open," Annie suspects that within Helen lies the potential for more, if only she can reach her. Through persistence, love, and sheer stubbornness, Annie breaks through Helen's walls of silence and darkness and teaches her to communicate, bringing her into the world at last.
- Sales Rank: #28686 in Books
- Brand: Gibson, William
- Model: 3844945
- Published on: 2008-06-17
- Released on: 2008-06-17
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .40" w x 5.25" l, .26 pounds
- Binding: Paperback
- 128 pages
Review
"Radiant, emotion-charged, memorable, superb!" -- The Philadelphia Inquirer
About the Author
William Gibson has written plays, poetry, fiction, and an autobiographical family chronicle called A Mass for the Dead. The Miracle Worker, his most popular play, and Two for the Seesaw were both produced on Broadway and made into motion pictures. In 1982 he wrote a sequel to The Miracle Worker called Monday after the Miracle, which was based on the life of Helen Keller as a college student with Annie Sullivan as her tutor and translator. William Gibson now lives in Stockbridge, Massachusetts, where he co-founded the Berkshire Theatre Festival.
Most helpful customer reviews
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Five Stars
By Gary Clifton
Great book about history being made
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Five Stars
By Amazon Customer
Every one should read this book.
29 of 29 people found the following review helpful.
An imprisoned mind set free
By Michael J. Mazza
"The Miracle Worker," a play by William Gibson, has had an enduring presence as a piece of living literature. It appeared on Broadway during the 1959-60 dramatic season, was made into a motion picture a couple of years later, and then was remade as a television movie for the 1979-80 season. The play's genesis lies in the real story of Helen Keller (1880-1968), the woman who was struck deaf and blind by illness at the age of 19 months. "The Miracle Worker" tells how a young Helen was led out of her prison of silence and darkness by the remarkable Anne Sullivan, who set out to teach the girl sign language.
"The Miracle Worker" is a truly great play. Gibson brilliantly takes the historical facts of Keller's childhood (many of which can be found in "The Story of My Life," Keller's 1902 autobiography) and turns them into a suspenseful, profoundly moving piece of theater. Although the core of the play is the fiery relationship between Sullivan and the wildly undisciplined Helen, Gibson's drama takes in the entire Keller household. I was particularly moved by the relationship between "Miss Annie" and Helen's frustrated but devoted mother.
"The Miracle Worker" is remarkable because much of the story is told not in dialogue, but in Gibson's stage directions. This is one of those plays which is not only powerful in performance, but also a gripping read.
Gibson's play is one of those great examples of a drama that takes real American life stories and turns them into enduring art; in that sense, it is comparable to such great works as "The Crucible," by Arthur Miller, or "The Night Thoreau Spent in Jail," by Jerome Lawrence and Robert E. Lee.
"The Miracle Worker" is not only a compelling human drama, but also a reflection on courage, love, education, and the transcendent power of language. As an interesting complementary text, I recommend Octavia Butler's science fiction story "Speech Sounds" (which can be found in Butler's book "Bloodchild and Other Stories").
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